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Greta Guntern-Gallati |
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| Grew up in Canton Glaris, a rural region of Central Switzerland. Studied and trained in several fields, both at home and abroad. |
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1960 – 1963 |
Fribourg/Switzerland French studies and commercial diploma (Diplôme d’études commerciales) |
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1964 |
Paris Cours de Culture Française, Sorbonne |
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1964 – 1967 |
London University of Cambridge: Certificate of Proficiency in English Diploma of English Studies |
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1967 – 1969 |
Zurich Secretary in the administrative offices of the Burghoelzli University Psychiatric Clinic (then director: Prof. Dr. Manfred Bleuler) |
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| 1969 – 1971 | Studies and diploma in art therapy | |
| 1971 | Marries Gottlieb Guntern, a psychiatrist and systems scientist, special adviser, creativity researcher and author of non-fiction and fiction books (www.gottlieb.guntern.org) |
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1972 – 1973 |
Lausanne/Switzerland Art therapist at a psychiatric outpatient clinic |
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| 1974 – 1976 | Embarks on her career as a visual artist (drawing, painting, photography) Accepted as a member of GSMBA (Swiss association of painters, sculptors and architects) First group exhibitions In collaboration with Gottlieb Guntern: Two group experiments with artists, dealing with creativity and dynamic group processes |
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1976 – 1978 |
USA Philadelphia/PA, New York, California, New Mexico Development of a new visual language (Syngenetics) Multimedia project with an art and TV class at Wissahikon High School, Philadelphia Presentation of a multimedia show at the Chestnut Theater in Philadelphia Presentation of a multimedia show at the University of Columbus, Ohio In collaboration with Gottlieb Guntern: Development of concepts and strategies for a medical pilot project in Switzerland. |
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1978 – 1989 |
Valais/Switzerland In collaboration with Gottlieb Guntern: Structural development and organisation of an integrated psychiatric centre for inpatient-outpatient therapy Concept and development of a video studio and database for recording therapy sessions |
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| 1979 | In collaboration with Gottlieb Guntern: Launch of CREANDO - International Foundation for Creativity and Leadership Main activities: Scientific research Post-graduate teaching programmes in systems science and systems therapy. Staging of international symposia |
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1980 – 1988 |
Brig/Switzerland 4 international, transdisciplinary symposia on: Systems Therapy - General Systems Science - Auto-Organization in Living and Non-Living Systems - The Neurobiology and Anthropology of Altered States of Consciousness |
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1990 – 2002 |
Zermatt/Switzerland 12 International Zermatt Symposia (www.creando.org) Creative Leadership in Economics, Arts and Science |
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2003 |
Interlaken/Switzerland 1 International CREANDO Symposium Creative Leadership in Economics, Arts and Science |
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| 2004 | In collaboration with Bettina Mattia, Manager Internet Art Gallery: Launch of an Internet Gallery for own creative work Continuous development of activities of the CREANDO foundation |
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| 2005 | Exhibitions of own work in the Internet Gallery | |
Creative art delights the senses and stimulates the mind. Human beings have a biological need for beauty and spiritual nourishment. And they have a biological need to express themselves creatively. Deprived of beauty and the stimulating spiritual sustenance of the products of creativity, human beings and culture become impoverished. Art, a dynamic unity Where this synthesis is achieved, the resulting creative work is |
Greta Guntern-Gallati's art work radiates a pulsating energy born of the interplay of perfect lines and subtle shadings of colour. Her drawings and paintings are a flurry of lines darting through space and time, converging into organic shapes or crystallising into abstract force fields. They reveal the secret of the mysterious interactions and causal connections at the heart of all becoming and passing away. The artist sits at the loom of her existence, weaving the threads of interpersonal and artistic experience into a multi-dimensional tapestry. The resulting patterns and shapes unite the concepts and expressive means of art and science into an organic whole. The weaving process proves an inexhaustible source of new ideas and energy. As a photographer, she is quick and spontaneous, with a precise eye for ephemeral moments in human and animal life. International CREANDO Symposia |
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